Following their critically acclaimed masterpiece. Having witnessed one such event, I can say there are few things as incredible as seeing Hetfield run on stage, illuminated by pyros, and scream, "I've got something to say - I killed your baby today!"Įntitled The $5.98 EP - Garage Days Re-Revisited, it was a huge seller, and became a fan bootleg favorite after it went out of print. This track became a live favorite, one which they often opened their concerts with. The requisite NWOBHM was included, featuring " Helpless" by Diamond Head, " Crash Course in Brain Surgery" by Budgie, and Holocaust's " The Small Hours." Less typical was the cover of the post-punk band Killing Joke's " The Wait." The final track on the 5 song EP was " Last Caress/ Green Hell," a two-song medley of tunes by the oft-campy hardcore band the Misfits. The choice of material was diverse, to say the least. Inside Ulrich's shag carpet soundproofed garage, Metallica practiced for a month, finally heading into the studios and laying down 5 tracks in a mere 6 days. Rather than put pressure onto Newsted, already having the difficult job of filling in for one of the greatest bassists to pick up a four-string, under the pressure of going straight to new material, Metallica returned to their roots - Covers. With tour dates to fill, they regrouped, and plucked promising bassist Jason Newsted from Flotsam and Jetsam.
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While on tour in Europe, a bus accident claimed bassist Cliff Burton's life. They put out two more studio albums each progressively better than its predecessor, culminating with the essential metal enthusiast’s disc Master of Puppets. Metallica didn't do much in the years following Kill 'em All regarding covers. When the single for Creeping Death hit UK record stores, it featured two covers by NWOBHM'ers Budgie and Blitzkrieg on the B-side. Prior to a tour to promote their upcoming album, Ride the Lightning, they decided to release a single from the album to get some buzz going. Lars Ulrich's collection of vinyl and bootlegged NWOBHM is what inspired himself and James Hetfield to form Metallica, and as a result, is where they drew much of their influence. They lined their sets with songs from the New Wave of British Heavy Metal, or to those familiar with it, the NWOBHM. It started early in their career, when they were just getting into the music scene. But one only need look at the history of Metallica's covers, listen to them, and that person will agree that despite their shortcomings, despite their silly stance on the mp3 debate, Metallica is just plain incredible at covering songs. Yes, I just said Tori Amos and Metallica in the same sentence. Thinking deeply, only two artists come to mind who have mastered the art of the cover song - Tori Amos, and Metallica. Even less bands become widely known to take another artist's song and perform it with such passion and sincerity that they make it their own.
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Some of these same bands have tried their hands at a cover or two when in the studio. At that point, they've become a cover band, a label that makes most musicians shudder.Īnd yet, so many good bands started out as just that - Cover bands. More often than not, a band won't be able to play a bar gig if they can't cover a wide variety of material, especially if they're just starting out. And we're not talking about album covers, or the cover charges in drinking establishments - We're talking about cover songs. Covers are the bane of nearly every band trying to get some exposure.